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Calligraphy carries the essence of 5000-year-old culture. Only by grinding with infatuation can we get the authentic source of line art. Mr. Liu Bingzhi, a well-known contemporary calligrapher, has been adhering to his family's learning since childhood. He has been instructed by his fathers, practiced calligraphy, learned from stele posts and sought truth from the ancients. He has really achieved the lofty goal of inheriting culture through calligraphy through his vigorous and flowing brushwork. Mr. Liu Bingzhi is a double-repair stele and inscription. He has not only calligraphy tendons and bones, but also calligraphy atmosphere. He uses both sides of the stele and inscription rhyme to compose his calligraphy, which will show a strong, simple and elegant style. He has accomplished all kinds of books, and he is versatile and expert in both regular script and regular script. It is because his calligraphy is based on the broad and powerful Weibei tablet, and then injected into the elegant and free style of the two kings'calligraphy. Through the blending, he learned from the ancients and did not stick to them. In the pursuit of the times, he can stand on his own face, so that his calligraphy does not show people in a stereotyped way and is full of the breath of the times.
2.《不忘初心》 规格138X68cm 碑为本,帖为源。刘炳植博观山野碑刻,集中吸取西安碑林营养,通过对碑的琢磨神畅,寻觅到了翰墨精神的秦汉风骨和大唐盛相,此为碑修卓越。他又博临历代法帖,师魏晋之韵,受两宋之意,把文人雅士的笔墨潇洒合制成个人的文化素养,执笔有妙法,妙在无拘挛,所以书法技艺如日中天,完成了依正诀宗法为核心的体系建树,书法达妙道,神采最为上! 人们喜欢观赏刘炳植的书法作品,是因为他的书法从质的角度来看,有力琢岩崖的气势,笔如利凿,有劲动之美,提摁顿点,最是力透纸背的遒美,对视觉有相当强烈的冲击的,笔墨不疲糜,越看越来精神。从书法的气韵内涵来体验,他的书法又带着清逸新妍的风韵特征,笔劲而不糙,墨雄而不呆,形断意连,潇洒动逸,带有王羲之、王献之书帖的自由挥洒,还有对颜楷、赵楷精深的临写功夫,所以笔墨雄劲却不失灵性,在圆厚上下足了功夫,在细腻上做足了柔情,达成了刚柔相济的和谐表现力,奇而不怪,逸而不媚,这种雅俗共赏的书法体貌,正是当代书法碑帖合融的经典示范!大道当行法正宗,碑帖合一精气神。他临写贤圣笔墨,却不拘泥于古,先通过沉稳笃实的碑法立笔墨之骨,再以帖学的丰姿多逸为神,执意笔墨,写刚劲雄强,法清逸流转,打破了书法单独写碑或是单独写帖的僵化教条,在力与势的酝酿中,产生了更为丰富耐观的牵连映带,笔法神通,一目了然!大家风范,法依正宗! (著名书画评论家 史峰 2019年9月2日) Tablets are the foundation and posters the source. Liu Bingzhi's Boguan Mountain and Wild Stele Inscriptions concentrate on absorbing the nutrition of Xi'an Stele Forest. Through deliberating on the stele, he finds the spirit of calligraphy in Qin and Han Dynasties and the flourishing phase of Tang Dynasty, which is the outstanding stele repair. He also learned from the calligraphy of the past dynasties, learned from the rhyme of Wei and Jin dynasties, and received the meaning of the Song Dynasty. He combined the literati and refined scholars'pen and ink into his personal cultural accomplishment. He had a wonderful way of writing, which was unconstrained. Therefore, his calligraphy skills were like the sun in the sky. He completed the construction of a system based on the authentic formula and patriarchal clan method, and his calligraphy attained a wonderful way with the greatest charm. People like to watch Liu Bingzhi's calligraphy works, because from a qualitative point of view, his calligraphy has a strong momentum of cutting rock cliffs, such as sharp brush, dynamic beauty, lifting point, the most powerful paper back is beautiful, relatively strong impact on the vision, the ink is not exhausted, the more spiritual. Experienced from the connotation of the charm of calligraphy, his calligraphy has the charm of elegance, fresh and beautiful. His brushwork is vigorous but not rough, Moxiong is not dull, the shape is broken and the meaning is continuous, unrestrained and lively, with Wang Xizhi and Wang Xianzhi's free play of calligraphy posts, as well as the meticulous and forthright writing skills of Yan Kai and Zhao Kai, so his brushwork is vigorous but not ineffective. He has made great efforts in roundness and tenderness in delicacy. It achieves the harmonious expressive force of combining rigidity and softness. Strange but not strange, leisurely but not flattering. This elegant and popular calligraphy style is a classic demonstration of the integration of contemporary calligraphy tablets and plaques. The main road should be authentic, with tablets and plaques in one spirit. When he wrote virtuous and sage brush and ink, he did not stick to the ancients. First, he established the skeleton of brush and ink through a steady and solid stele method. Then he took the rich and leisurely style of calligraphy as his god, insisted on brush and ink, wrote vigorously and vigorously, and wrote freely. He broke the rigid doctrine of calligraphy writing steles or posts separately. In the brewing of strength and power, he produced more rich and enduring implications. His brushwork was superb and clear at a glance. Everyone's demeanor, according to the authentic law! (Shi Feng, a famous calligraphy and painting critic, September 2, 2019) |
